{"id":92,"date":"2023-04-09T23:18:23","date_gmt":"2023-04-09T23:18:23","guid":{"rendered":"https:\/\/sam.omi.nz\/wordpress\/?p=92"},"modified":"2025-10-05T07:46:50","modified_gmt":"2025-10-05T07:46:50","slug":"birds","status":"publish","type":"post","link":"https:\/\/samanthalissette.com\/wordpress\/index.php\/2023\/04\/09\/birds\/","title":{"rendered":"Birds"},"content":{"rendered":"\n

2024<\/p>\n\n\n\n

cast bronze<\/p>\n\n\n\n

Crucible Foundry<\/p>\n\n\n\n

photos by Samantha Lissette<\/p>\n\n\n\n

Indoor Exhibition<\/strong> \u2013 Botanic Gardens, Auckland – November 2023 – March 2024<\/strong>.<\/p>\n\n\n\n

\u2018To Have & to Hold\u2019 <\/strong><\/p>\n\n\n\n

Spoonbill pair – speaking to the state of lifelong commitment and stability; caring for and receiving loving kindness<\/p>\n\n\n\n

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2024<\/p>\n\n\n\n

cast bronze<\/p>\n\n\n\n

Crucible Foundry<\/p>\n\n\n\n

photos by Samantha Lissette<\/p>\n\n\n\n

Indoor Exhibition<\/strong> \u2013 Botanic Gardens, Auckland – November 2023 – March 2024<\/strong>.
<\/p>\n\n\n\n

\u2018Forager\u2019\u00a0<\/strong><\/p>\n\n\n\n

Wren amongst the Mistletoe.<\/p>\n\n\n\n

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2019<\/p>\n\n\n\n

Cast bronze<\/p>\n\n\n\n

Regal foundry <\/p>\n\n\n\n

photos by Andre Van De Ven<\/p>\n\n\n\n

Following in My Fathers Footsteps<\/strong><\/p>\n\n\n\n

Male Quail & two Chicks<\/p>\n\n\n\n

Originally this was a private commission for my uncle, Stephen Rodgers. It then developed into a limited edition of 12, first exhibited at the 2019-20 Sculpture in the Gardens exhibition<\/strong> at the Auckland Botanic Gardens Indoor exhibition.<\/strong><\/p>\n\n\n\n

Made to celebrate the California Quail families<\/strong> living in Cromwell, South Otago<\/strong>, I developed the idea further to include the father and 2 chicks, representing my uncle and his 2 daughters.<\/p>\n\n\n\n

When I began sculpting the male quail I was concerned that the birds lack of shape and complex colouration would create a boring sculpture and a difficult patina. As a way of combating this I began adding detail to the birds body. This eventually resulted in the detailed realism of the work and the painted patina.<\/p>\n\n\n\n

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2014<\/p>\n\n\n\n

Cast bronze<\/p>\n\n\n\n

Artworks foundry<\/p>\n\n\n\n

photos by Andre Van De Ven<\/p>\n\n\n\n

Bird on a Limb<\/strong><\/p>\n\n\n\n

Waxeye & Abstracted Flora<\/p>\n\n\n\n

Bird on a Limb<\/strong> references elements of Rose Cathedral<\/strong>, in the Rose Garden<\/strong> at the Auckland Botanic Gardens, Manurewa<\/strong>.<\/p>\n\n\n\n

This originated from ‘Short Embrace’<\/strong>, a medal in the 2004 MANZ exhibition<\/strong>. It, in turn, came from another medal, ‘Katybird<\/strong>‘, I did for a 2002 MANZ exhibition<\/strong> in which I explored ideas around anatomical relationships between flora and fauna. This featured a native Tui<\/strong> on a branch on the obverse, and a Katydid cricke<\/strong>t on the reverse.<\/p>\n\n\n\n

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2016<\/p>\n\n\n\n

Cast Bronze<\/p>\n\n\n\n

Artworks foundry<\/p>\n\n\n\n

Gull Post <\/strong><\/p>\n\n\n\n

Folded wax abstracted Sea Gull<\/p>\n\n\n\n

Exhibited for NZSoS Womens Refuge Exhibition,Fort Takapuna, Auckland, New Zealand<\/strong><\/p>\n\n\n\n

A friend and fellow sculptor, Christine Hellyar, gave me some sheets of wax. I was drawn to the creative potential of this material and started experimenting with it. <\/p>\n\n\n\n

I loved the way it could be torn, shaped and folded like paper and then cast into bronze. I left areas open so that the nature of the material was exposed. I also wanted to play with the ideas of negative space. The forms I was making suggested to me that the eye would somehow fill up the gaps and comprehend the whole object. It was difficult to create stable 3D objects with only sheets of wax, and the foundry did well to cast the work without distorting the form. I love the expressive quality of the folds and rough surfaces. My usual art practice involves smooth surfaces, so this was a satisfying departure from my usual, and very rejuvenating!! I loved making these Gulls and feel they represent an important part of my practice.<\/p>\n\n\n\n

The Gulls have found the perfect permanent home right on the coast of Massachusetts, USA<\/strong>.<\/p>\n\n\n\n

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<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Cast bronze<\/p>\n\n\n\n

Artworks foundry <\/p>\n\n\n\n

Bird on Kowhai<\/strong> <\/p>\n\n\n\n

Waxeye & Kowhai<\/p>\n\n\n\n

This wall mounted work combines the native Kowhai<\/strong> with the native Wax Eye<\/strong>.<\/p>\n\n\n\n

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<\/p>\n\n\n\n

2012<\/p>\n\n\n\n

Cast bronze<\/p>\n\n\n\n

Artworks foundry<\/p>\n\n\n\n

Flora’s Limbs<\/strong><\/p>\n\n\n\n

Kowhai & Waxeye on abstracted flora<\/p>\n\n\n\n

Flora’s Limbs references elements of Rose Cathedral<\/strong>, in the Rose Garden <\/strong>at the Auckland Botanic Gardens, Manurewa.<\/strong><\/p>\n\n\n\n

This originated from ‘Short Embrace’<\/strong>, a medal in the 2004 MANZ exhibition<\/strong>. It, in turn, came from another medal, ‘Katybird<\/strong>‘, I did for a 2002 MANZ exhibition<\/strong> in which I explored ideas around anatomical relationships between flora and fauna. This featured a native Tui <\/strong>on a branch on the obverse, and a Katydid cricket<\/strong> on the reverse.<\/p>\n\n\n\n

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<\/p>\n\n\n\n

2010<\/p>\n\n\n\n

Cast bronze<\/p>\n\n\n\n

Artworks foundry<\/p>\n\n\n\n

Peace Makers<\/strong><\/p>\n\n\n\n

Fantails & leaf forms<\/p>\n\n\n\n

This Art Deco inspired work was part of Terry Stringer<\/strong>s installation for the 2010-11 Sculpture in the Gardens exhibition <\/strong>at the Auckland Botanic Gardens.<\/strong><\/p>\n\n\n\n

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<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Cast bronze . volcanic rock<\/p>\n\n\n\n

Flux foundry<\/p>\n\n\n\n

Bird Call<\/strong><\/p>\n\n\n\n

Black Bird<\/p>\n\n\n\n

This work is part of ‘Celebration<\/strong>‘ which was made for the 2016\/17 Sculpture in the Gardens Exhibition, Auckland Botanic Gardens.<\/strong><\/p>\n\n\n\n

I made this bird with the idea of making paper cut outs. I cut sheets of wax into shapes and built them into birds. It was a most enjoyable exercise.<\/p>\n\n\n\n

All the birds in this work were in the act of singing or calling.<\/p>\n\n\n\n

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2024 cast bronze Crucible Foundry photos by Samantha Lissette Indoor Exhibition \u2013 Botanic Gardens, Auckland – November 2023 – March 2024. \u2018To Have & to Hold\u2019  Spoonbill pair – speaking to the state of lifelong commitment and stability; caring for and receiving loving kindness 2024 cast bronze Crucible Foundry photos by Samantha Lissette Indoor Exhibition […]<\/p>\n","protected":false},"author":2,"featured_media":96,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-92","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"yoast_head":"\nBirds - Samantha Lissette<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/samanthalissette.com\/wordpress\/index.php\/2023\/04\/09\/birds\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Birds - 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